FAMILY
The unquestionable success of the song Blumana coincided with the festive atmosphere of welcome and was the great democratic leap from Ruben Rada cult artist rather than mass-market music Argentina. Those years were so good that the issue Ruben also earned him a place in the festival Barock, in November 1982, alongside the great players of the Argentine rock then.
For the occasion, Rada was known jazz musicians surround the front line. The work draws on the best interventions to be reminded record to Ricardo Lew solos on the bus inspiradísimos -a Rada blues in which he talks about his friends Uruguayan-(guitar) and Martu (acoustic guitar). Although to a lesser extent, Ricardo Nolé makes theirs on keyboards. For the final closing instrumental spatter.
As a result ... candombe disc with pin arrangements of jazz-horn section. The compact can only be achieved by importing from the United States.
EDITION
MH / Orfeon Videovox 1982
MUSICIANS
Ruben Rada: vocals, congas, trumpet
Ricardo Nolé: piano, synthesizer, Ricardo Lew
chorus: guitar
Hector Pineda under Osvaldo
Fattoruso: drums, percussion, voice
Fernando Rodriguez, Carlos Da Silva: drums
Urbano Moraes, Maria Fernanda Rada, Juan Carlos Ledesma: choirs
Fats Fernández, Andrés Boiarsky, Hugo Pier, Jaime Prats, Benny Izaguirre: horn section
Blumana SONGS (R. Rada)
the bus (R. Rada)
candombe (R. Rada)
Martu (R. Rada)
good is bad, bad is good (R. Rada)
I'm going to 'the city (R. Rada)
Lucila II (R. Rada)
candombe the canoe (R. Rada)
spatter (R. Rada)
Blumana Always
concerts
rare things happen, I have much fear
comes the bad.
Tocá, che, Black Rada,
tocá the fans scream, quiet play and sing
that nothing happens here.
came with my girlfriend-was-
recopa hear the concert
lost it at the entrance.
Tocá, che, Black Rada,
tocá the fans scream, quiet play and sing
that nothing happens here. He ended the concert
-two o'clock-
I get into my micro
and embrace the poor.
Tocá, che, Black Rada ...
...
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