Cellular Respiration Lab Answers For Lab 5

Other: ANDRÉS CALAMARO

SALMON Salmon
Cover contains a single disc black and white edition pack of five volumes. When all letters are gaining more sense to begin to be reflected as ideologically committed.
In this endless tide we find bleeding-creative features what appear to be personality traits in Andrew, general disorder, obsessive culinary and success as always, quite strong but this time limited: salmon, yours always, the rapper output-input, Argentine media watchdog or enola gay ... and playing limit, a forerunner of what would years later his meeting with Indian Solari.
Within this context there is much reggae: waking-pasties with Quote Cátulo tango Castle disagreement, "you believed in honesty and morality ... what nonsense!" -, A new version sapiensinto books Vox Dei and no, woman no cry , popularized by Bob Marley. The covers of songs by other artists are many, very different in genre and rhythm in English or Castilian. Folklore appears Alfonsina y el mar - my cart shafts - gentle river .. . tango with the day I want and other classics from Argentina. Local rock peach stand and bleeding Laura goes, both my old Spinetta and of and Pappo, with whom he shares two songs Calamaro: I flew and Lorena, another catchy- .
also say this The Rolling Stones ( under my thumb) and The Beatles (excellent you wan't see me - sexy sadie ; oh, darling , the long and winding road ; I will ) . As you can see, truly seasoned with many spices.

EDITION
Warner Music 2000

MUSICIANS
Andrés Calamaro, El Cuin Scornik, Liberto Villagrasa, Lulo Pérez, El Niño Bruno, Candi Avello, Gringui Herrera, Pappo, Ciro Fogliatta, Guille Martín, José M. Cortina, Ariel Rot, Chango Andy, Gaby Carámbula, Enrique Bunbury, Jaime Urrutia, Cachorro López, Pope Ikoroh, Tito Losavio, Miguel Zavala, Jaime DB, Martin Garcia Reynoso, Jorge Larrosa, Ñete; Fernando Samalea, Alex Badreddine, choir Mughals

SONGS
output-input (Calamaro-Scornik-Hererra)
Salmon (Calamaro-Scornik)
different days (A. Calamaro)
always yours (A. Calamaro)
ok, sorry (A. Calamaro)
slave schedules (A. Calamaro)
we'll meet again (Calamaro-Larrosa)
gulls (A. Calamaro)
all yu need is pop (A. Calamaro)
cafe of Buenos Aires (Mores-Discépolo)
enola gay (A. Calamaro)
to continue (A. Calamaro)
turra revolution (A. Calamaro)
wrong direction (Calamaro-Scornik)
my funeral 11 (A. Calamaro)
crucify (A. Calamaro)
Argentine media watchdog (Calamaro-Scornik)
I flew (Calamaro-Pappo)
girls (A. Calamaro)
your pavada (Calamaro-Scornik)
time is on My Side (Meade)
turra revolution (A. Calamaro)

all the same (A. Calamaro)
playing limit (Calamaro-Scornik)
querrámonos (A. Calamaro)
Alfonsina y el mar (Ramirez-Luna)
mambo (A. Calamaro)
nqtqe comes (A. Calamaro)
the diabla (Calamaro-Scornik)
Laura will (LA Spinetta)
because I'm so (A. Calamaro)
tango neighborhood (Troilo-Manzi)
sad how fast (A. Calamaro)
my lobotomy (A. Calamaro)
forget I do not know (A. Calamaro)
no (A. Calamaro)
so there is no more (A. Calamaro)
the entire path (A . Calamaro)
p. No reloc surhqsur memory (A. Calamaro)
freaks (Calamaro-Scornik)
the long and winding road (Lennon-McCartney)

the old (Pappo)
can not live on love (A. Calamaro)
peach bleeding (LA Spinetta)
magazines (Calamaro-Scornik)
dangerous waters (A. Calamaro )
pale reflection (A. Calamaro)
Berlin Wall (Calamaro-Scornik)
on D (A. Calamaro)
I will (Lennon-McCartney)
two eyes eyes (A. Calamaro)
gentle river (C. Aguirre)
are ugly (A. Calamaro)
stop living (A. Calamaro)
chocolate (A. Calamaro)
canalla (A. Calamaro)
mi autopista (A. Calamaro)
reality bomb (Calamaro-Scornik)
blow up (A. Calamaro)
palabras luminosas (A. Calamaro)
el día que me quieras (Gardel-Le Pera)

empanadas de vigilia (Calamaro-Scornik)
steely feeling (Calamaro-Fogliatta)
all you need is pop (A. Calamaro)
100% de nada (A. Calamaro)
expulsado del paraíso (A. Calamaro)
you won't see me (Lennon-McCartney)
seventh son (A. Calamaro)
under my thumb (Jagger-Richard)
Lameman ortho (A. Calamaro)
dog rumba (Calamaro-Chango)
seats will not (Calamaro-Scornik)
heavy city (Calamaro-Chango-Bruno)
metal cha cha (A. Calamaro)
not Woman No Cry (V. Ford)
cnimqucdp (A. Calamaro)
oh, darling (Lennon-McCartney)
a boat, a little (A. Calamaro)
Lorena (Calamaro-Pappo)
prisoners of our freedom (A. Calamaro)
horizons (A. Calamaro)

problems (A. Calamaro)
true freedom (A. Calamaro)
my cart shafts (Yupanqui-Risso)
some tooth for a tooth (A. Calamaro)
ass without seat (A. Calamaro)
sapiensinto books - part II (Soulé-Quiroga-Godoy)
alas! (A. Calamaro)
Malena (Manzi-Demare)
inside me (A. Calamaro)
short but wide (A. Calamaro)
for others (A. Calamaro)
sexy sadie (Lennon-McCartney)
our skin (A. Calamaro)
say potato (Calamaro-López-Ikorok)
cocaine (Cale)
boy! ... the midwife said (A. Calamaro)
LostParadise (A. Calamaro) and
(Sandro, Anderle)
I shit on all (Calamaro-Badreddine)
Valentina (A. Calamaro)
hmqdep (A. Calamaro)
this is the end of my career (A. Calamaro)

My highway
are looking al responsable para que hable,
no saben de qué declararlo culpable.
Así era, igual se festejaba el día de la primavera
y el Veinticinco de Mayo...
ir a ver a los granaderos a caballo
en la primera fila, en la primera fila.
Y voy a pedir cincuenta mil millones para una autopista
-dentro de veinte años va a estar medianamente lista-.
Mi autopista preferida.
¡Qué vida violenta the fucking '70!
Mundial…la gesta deportiva sin igual....
...
Otras versiones
el salmón (Indio Solari; Calamaro-Fito & Fitipaldis)
tuyo siempre (Jueves The Trampa)
ok, sorry (Daniel Pessarini)
crucify (Fito & Fitipaldis)

Big White Booty Cartoon

Essential: THE FABULOUS

GOLAZ
PROGRESS OF SOLITARY
Peak in the discography Los Fabulosos Cadillacs, which came about as a direct and immediate transition Fabulosos Calavera. So much so, that after this album the band released a double live and greets his public with a "bye" that lasts eight years. The group had manipulated the fun music of the beginning to drag her compositions much richer but complex. Musically speaking, this work surpasses in quality and sound to anything known of LFC, overflowing with themes as C. J .; Onion, swimmer or eagle.
Although experimental stands facet of the group with the thread -tango, bandoneon and composed by Vicente and Pablo Ziegler; Piranha - all Argentines are DT; the progress of the solitary goal by and need a nose clown ... Did not I borrow yours ?...; the album also has its greatest hits oak; life and candombes Salvador and loose cords, and above all ... ya know. Some arrangements are more closely related to the second half of the '70s and, at all times, one notices a great job of winds and percussion. Los Fabulosos Cadillacs
give us three virtuoso instrumental to the final: Black - 57 souls - poplar and a bonus track that takes us to the essence of the sixties: because I love you, famous song popularized by Sandro. Truly expressive illustrations
Mark Bertucelli book illustrating the compact.

EDITION
1999 BMG U.S. Latin

MUSICIANS
Vicentico (Gabriel Fernandez Capello): vocals, piano, organ, vibraphone
Flavio Oscar Cianciarulo: bass, fretless and fretted electric bass, vocals
Ariel Minimal: electric guitar, Creole, acoustic, vocals Karl
Cameron Porter: acoustic piano, Fender Rhodes, Arp string synthesizer, vocals Mario
Siperman: piano, Fender Rhodes electric piano, Hammond organ, synthesizers
Fernando Ricciardi: drums, percussion, backing vocals Simon
Gerardo Toto Rotblat: percussion, vocals
Norberto Minichilo: percussion, vibraphone
Daniel Lozano trumpet, flugelhorn, vocals Fernando Albareda
: trombone, tuba, flute, vocals
Walter Castro: bandoneon
Guests: Pablo Ziegler, Claudio Tano Marciello, Bob Porter, Darlene Koldenhoven

SONGS
life ( Cian F.)
CJ (Vicentico)
the condenaditos (Vicentico-Rotblat)
Onion, the swimmer (Vicentico)
ya know (F. Cian)
Piranha - all Argentines are DT (F. Cian)
the dance of the sea (F. Ricci)
oak (Vicentico)
thread (Vicentico-Ziegler)
the progress of the solitary goal by (Cian-Fisher-Moore-Kibby)
eagle (Vicentico)
Salvador and loose cords (F. Cian)
need a clown nose ... Did not I borrow yours? (F. Cian) Black
(Cian-Rotblat)
57 souls (F. Cian)
poplar (Vicentico)
because I love you, (Sandro, Anderle)

Oak It fell
leaves,
winter cold is coming,
was autumn, the last heat
April and the tree dies
sleep and without resistance, without dying ...
only dream of rain
him to revive.
are no longer leaves,
the wind took her away from me, I see the oak
end
just rest and sleep and die
tree without resistance, without dying:
oak endless, you know what it is die. ..
rests and sleeps until the forest
blue
sacred oak awaken from their sleep. And the tree
sleep and die without resistance
without dying:
oak endless, you know what it is die ...
rests and sleeps until
the blue forest of oak sacred
awaken from sleep ... and sunrise.
... Other versions

because I love you, (Sandro)

Ideas For Cheer Noise Makers

Other: VICENTICO

BIRDS Latino
current is well represented in the Argentina of the hand Vicentico. It is a very unique voice performer, who sings always on the edge of tuning, but is also a very good composer rather eclectic in nature.
From the start we are invited to dance with the tree Square and precisely dancing. Although also a touch of nostalgia are interesting holidays yesterday (reggae)-in and the evocative voice of Dani Melingo-and happiness, accompanied by the ubiquitous Andrés Calamaro. Over the disc, are becoming indispensable for the different winds jazzy arrangements ( disappeared ). If I leave deepens the sadness with tears of his piano to fall into the merciless riff electric guitar. As a curiosity, in the last track - hands - plays keyboards Florian, the son of Vincent.
short, Birds is an album with great sound, the trilogy's initial Vicentico solo career.

EDITION
Sony & BMG Music Entertainment 2006


Vicentico MUSICIANS: vocals, guitars, organ, piano, synth
Leandro Bulacio: pianos, organs, keyboards, accordion, banjo
Lucho González, guitars
Señor Flavio: guitars, bass
Gringui Herrera: guitar, steel guitar lop
Valentino: guitar
Daniel Castro: low
Buira Dani: drums, percussion Javier Tuco
Makdad: timbales, maracas, bells
Carlos Salas: congas, banjo, gourd
Stutz Ervin: horns
Juan Escollana: trombones
Alejo Von der Pahlen: saxophone, flute
Dani Melingo: clarinet, guitar, voice
Juan Pablo Di Saverio, Pol Neiman:
vocals Guests: Andrés Calamaro, Florian Fernandez Capello, Marcelo Muir, Hugo Wolf, Walter Spider Arricau

SONGS
tree Square (Vicentico)
dance (Vicentico)
yesterday (Daniel Melingo)
if they let me (Vicentico)
happiness (Vicentico )
debt (Vicentico)
disappeared (Vicentico)
leaves (Vicentico)
the ghost (Vicentico)
hands (Vicentico)

If I leave
If you let me in the street under me,
if I dropped into the sea I back, if I enclose
in jail me loose,
if the night I light dims.
When I get the pain under I,
if I lock myself afraid of ghosts,
defend myself in my house of fear, against all evil
I settlement.
When I fight I want to steal,
if the winter is ice cream I turn me,
when the world shuts down and stay still, the engine
need I have.
If I left in the street under me,
if I dropped into the sea I turn,
if I locked in prison I let go, against all evil
I settlement.
What I can not fix it without your love,
is what I can not fix my heart,
any fight that I gave in this life without you
nothing left and could not ...
When the rain
I know that will soon sunrise
dreams if I get the sleep terror
know I can find all the value.
If you let me in the street under me ...
...

Orihime Doujinshi Read Online

Taxes: VARIOUS ARTISTS

TEACHER WITH LOVE A tribute to Spinetta

This tribute brings Spinetta recorded songs in their albums by artists recognized widely.
most reliable versions are similar to the originals, such as lower (Gustavo Cerati) that is reaching its final semi-techno; song for the day of my life felt the voice of deceased Maria Gabriela Epumer and poscrucifixión by The Seven Dolphins.
Others appear to have been tailored to the groups who interpret them. Such is the case of Divided and wake up baby with a big electric guitar solo performed by Ricardo Mollo and I like the pit by Mice Parade. Among the most prominent
listed silly girl-with polenta Fito Paez; Captain Beto ring Cantilo by Fabi-a classic that opens the album collective unconscious, a tribute to country-rock and half version peach tango bleeding, included in this waterfall was issues Salmon Andres Calamaro (5 discs).
The tribute ends with Charly Garcia singing pray for you, a hit duet with Spinetta compound and Luis theme dedicated by David Lebon.
In the book that illustrates the compact musicians explain how they decided to record those songs and talk about the honoree.

EDITION
Sony & Bmg Music Entertainment 2006

MUSICIANS
Gustavo Cerati, Divided, Andrés Calamaro, Faithfull Marianne, Claudio Gabis, Fito Páez, Alejandro Lerner, Los Siete Delfines, Hilda Lizarazu, Tito Losavio, Martes Menta, Maria Gabriela Epumer, Mice Parade, Proyecto Verona, Charly Garcia, David Lebon

SONGS
down (LA Spinetta) Gustavo Cerati
wake up baby (Spinetta-Amaya) Divided Peach
bleeding (LA Spinetta) Andrés Calamaro
ring Captain Beto (LA Spinetta) Faithfull Marianne
baby loggerhead (LA Spinetta) Fito Paez - Claudio Gabis
girl, eyes paper (LA Spinetta ) Alejandro Lerner
poscrucifixión (LA Spinetta) Los Siete Delfines
sweet 3 night (Spinetta-Amaya-Frascino) Hilda Lizarazu - Tito Losavio
you see the sky (LA Spinetta) Tuesday Mint song for
days of life (LA Spinetta) María Gabriela Epumer
I like the pit (Spinetta-Frascino-Amaya) Mice Parade
credulity (LA Spinetta) Verona Project
prayer for you (Spinetta-Garcia) Charly García Luis
theme (Lebón-Lagarde) David Lebon

song for days
life This day begins to grow,
I'll see if I can run with the morning whistling
back
or look in the bubbles.
I have to learn to fly
so many people standing ...
care for my wings some gnomes
that night can never laugh.
If the rain comes through here
I will just live ...
wet my wings like the angel tree or
or may die of grief.
I have much time for today,
watches will make it sing. And the foam
revolves around my skin, I have
hands
to talk about me
and finally my elf born:

has white ears like a breath
bread and rice and a mushroom for a nose ,
four crazy hair and a violin that never shuts up,
only apparent and is equal to the wreaths.
This day is a little salt, let me vibrating
birth
is light weight and as a thread without a name,
sounds a bit like my guitar.
I have to learn to be light
so many people behind ... I'll
the branches of this
sun waiting for me to use me as the air.
And it finally opened my duende:
has a heart of tablecloth and
baton and a wink to see that everything is true;
cuidena gnomes and violin always Canata,
never slumbers and is equal to garlands.
And you'll never shut up, just shows
and is equal to the wreaths.
... Other versions

awake, baby (Ricardo Mollo and Fish)
peach bleeding (Roxana Amed, William Di Pietro, Gregory F. Guirao, Cabrera-Navarro Mareco)
girl paper eyes (Ivan Lins; Afrocandombe, Fito Paez, Litto Nebbia, Coti Sorokin, Cacho Castaño Sergio Denis, Gerardo Nieto, Gonzalo Yanez, Ricardo Lew, Alejandro Franov; Tangoloco, Privé, Baby Style)
poscrucifixión (Javier Vargas & Spirit Celeste; The Godoy Cruz Band; Montreal, Placard)
song for the day of my life (Pedro Conde)
I like the pit (Juanse Gutierrez, Ulises Butrón; Mad)
credulity (García-Silva-Torres, Ubik)
prayer for you (Spinetta-Garcia, Garcia-M. Sosa, Nenhum de Nos; Totus Toss)
Almond ( Rock You agree )

Air Cooled Car Advantages

Releases 2008: CALAMARO-Satragni - ROOTS

ESTATE 30 YEARS
with Litto Nebbia on the album, the group candombe-funk-rock roots back to the attack on thirty years of its founding. The band sounds very compact and its style is perhaps best known now than then.
is a free album, which starts with candombe this is cool as ever, with mien of bossa; Belmiro and oil distilling instrumental in line with a succession of solos by different instruments. Pass one after another supercandombes drum arrived, we all candombe and my grandfather Jacinto ... entirely percussive. Also the crazy , Satragni issue that could have been sung by Eduardo Mateo-to be alive. The turn of the funk comes with canecandombe and instrumentation: is a funk in the ear of the obelisk . Andrés Calamaro
contributes two compositions: pampa maimed and on both sides that, while inserted in the context quite well, are perhaps the most monotonous, rhythmically speaking.
Pay attention to one of the best versions-among many-of the other hand, that were (Nebbia) with their own Litto, Andrew and Bob ... singing.


EDITION 2008

Records Melopea MUSICIANS
Beto Satragni: vocals, bass, bass, guitar, candombe guitar, accordion, drums, vocals
Andrés Calamaro: vocals, keyboards, Jimmy Santos
piano, drums, congas, percussion, vocals John Black Tord
Raul Campana: drums
Alberto Bengoa: guitar
Guests: Litto Nebbia, Gringui Herrera, Francisco Bengolea, Grierig Werner, Randy Brecker, Terry Silverlight

SONGS
this is candombe (B. Satragni)
drum came (B. Satragni)
the other hand, those who left (L. Nebbia)
are all candombe (B. Satragni)
the crazy (B. Satragni)
maimed pampa (Calamaro-Herrera-Larrosa)
is a funk in the ear of the obelisk (B. Satragni)
my grandfather Jacinto (B. Satragni)
on both sides (Calamaro-Larrosa)
oil distilling (B. Satragni)
canecandombe (B. Satragni)
Belmiro (B. Satragni)
steel flower (A. Bengolea)

This is candombe
This is Candomble,
black blood;
this is candombe
black blood.

When you're not I know that there is no life, sad to see Palermo

and gray is the city. Brown and white
join
candombe
wine, morning,
drum and sea.
This is candombe ...
...
Other versions
the other hand, those who left (Litto Nebbia, Nebbia-Vitale, Fito Páez)

Community Hours Sheet Anyone

2008/Tributos Releases: VARIOUS ARTISTS

ABREMENTE
Homenaje a Luis Alberto Spinetta
This is the third album tribute to Spinetta at the end of two years (three times Al Flaco ... give thanks ; The teacher and now fondly Abremente ).
As part of the series Yass, "this album brings together musicians who escape the typecasting and his artistic work based on freedom, emotion and identity" and is sponsored by Gramajo scrambled radio program, "which is installed as a space distribution of cultural activities-especially music-can not find more space in the media. "
Open Liliana Herrero entrerriana jazzy version of prayer for a sleeping child -recorded live at the Gandhi library, to be in a pleasant guitar solo Diego Rolon power. A load enters the improvisational jazz trio by two former colleagues Spinetta path: Rodolfo Garcia (Almond) and Marcelo Torres (Desert Partners) with credulity, later good books memory blouse and harmonica and Carlos Aguirre to recreate the original sound will Laura but forty years later. The eyes are interwoven, somewhat deformed samba on clay perhaps -here-and violin Ludmila -only retains some recognizable riffs. They are feral conejines , as revisited in the light of leitmotif of a soundtrack, and staying or Stepping -unimaginable hear the voices of Abonizio-Sáinz. The more rock is I look your love with Javier Malosetti on all instruments ... Spinetta another musician friend.
And it's the turn of the final apoteótico, nothing more and nothing less than the honoree Luis Alberto Spinetta, with Aznar, Epumer and Judurcha doing wings of the morning, a great song authorship with music and lyrics by Pedro Luis.
The video accompanying the CD was made by the Tribe Audiovisual (Augustine Simbaldi / Felipe Montalva). Original music by Willy leads González ( samba to the partner), with Quique Pessoa in the speech and written by Lalo Méndez Recanatini.

EDITION
Mdr Records 2008

MUSICIANS
Luis Alberto Spinetta : vocals, acoustic guitar
Liliana Herrero, Adrian Abonizio, Maria Elia: Voices
Mariel Barrena: keyboards, vocals
Ana Archetti: piano , keyboards, vocals
Carlos Aguirre: electric piano,
voice Marco Katz: piano, prepared piano Liamgot
gustavo: Rhodes piano, bass, percussion
Lolo Micucci: piano Alejandro
Franov: Lito
sitar solo Epumer: electric guitar
Diego Rolon, Cesar Silva, Martín González, guitars Rodrigo
Aberastegui, Diego Penelas: guitars, vocals Alfonso
Bekes: twelve-string guitar Quique Sinesi
steel: seven-stringed English guitar
Marcelo Torres, Facundo Peralta: low
Fernando Silva: fretless bass, cello
Luis Volcoff, Marcos Archetti: bass, vocals
Sergio Sainz: bass, vocals, choirs
Pedro Aznar, Guillermo Delgado, Mariano Cantero
bass: battery, accessories, voice Judurcha
Christian, Paul Bendov: drums
Leonardo Martinelli Tremor: programming
Rodolfo Garcia, Franco Exertier, Joseph Piccioni, Tomy Sainz, Mario Gusso: percussion
Demian Luaces: violin
Federico Jauregui: alto sax
Bernardo Casagrande : Federico Núñez
tenor sax: alto sax, clarinet
Joaquín Pérez: tenor, soprano, flute
Fernando Lerman: soprano sax, flutes, clarinets, Claron
Claudio Rossi: trumpet
Franco Luciani: harmonic
Pili Peralta: berimbau, triangle caxixi, bells, Agogo
Luis Medina: glockespiel, marimba Cecilia Zabala
cane: fife, vocals
Javier Malosetti: guitars, bass, banjo, drums, tambourine, vocals
Silvia Salomone, Florencia Di Stefano, Melissa Budini, Jorgelina Barbiero: choirs
Guests: Daniel Godfrid, Renzo Baltuzzi, Alejandro Simonazzi Clara Zaremba, Mauro Saraniti, Soledad Steinberg, Quique Pessoa, Nicolás Falcoff, Lalo Recanatini, Paula Rivera

SONGS
something like a radio program - video
prayer for a sleeping child (LA Spinetta) L. Herrero
credulity (LA Spinetta) García-Silva-Torres
you sky (LA Spinetta) Zabala-Sinesi
books good memory (LA Spinetta) Franco Luciani Grupo
Laura will (LA Spinetta) Carlos Aguirre Grupo
mud may (LA Spinetta) M. Ludmila
Katz (LA Spinetta) Banda Hermetica
feral conejines (LA Spinetta) Lerman-Lliamgot-Rossi
staying or Stepping (LA Spinetta) Abonizio-Sainz-Aberastegui
beautiful Blue Lady (LA Spinetta) Elia-Penelas
girl, eyes paper (LA Spinetta) A.
Franov I look at your love (LA Spinetta) J. Malosetti
wings of the morning (Spinetta-Aznar) Spinetta-Aznar-Epumer

Wings am

Golden wings of the morning in the window
a staff ...
the glow curves. Light trips


plummets into your hair wrapped in a dream plots
that left him. Your body woke

and love still
fleet as amber, as the April breeze

in garlands,
slow kiss at parting.

Warm sun blocks stolen
my hands go in your waters
that look litmus.
My body woke up knowing the deep flavor
filigree

coloravellana skin and go around the earth called.
lips, thirst, captivity,
sea harvest, gravity,
harbingers of heaven.
salt, topaz, greed,
musk, swing, walk, garden,
turbulence, mead.

slept the day embraced the heat, passion flower
fire and flushing
lit, populated on both. Golden
wings of the morning,
are the wings of this morning,
wings on my soul.
...
Other versions
prayer for a sleeping child (Andrés Calamaro, Liliana Herrero Denoir Diane, Donna Carroll, Javier Vargas & Spirit Celeste, Lito Vitale, William Di Pietro, O. Favrot)
credulity (Proyecto Verona, Ubik)
books good memory (Gustavo Cerati, Los Pericos, Maria Eva Albistur; Peteco Carabajal, Guillermo Di Pietro)
Laura will (Andrés Calamaro, Liliana Vitale , Guillermo Fernández-Tangoloco, Osvaldo Burucua, Amadeo Alvarez, Guillermo Di Pietro)
mud may (Lito Vitale, C. Torres Vila, Guadalupe Farías Gómez, Cecilia Nazar, Vita-Cudmani)
staying or Stepping (M . Hudecek)
beautiful blue lady (Guillermo Di Pietro)
girl eyes paper (Ivan Lins; Afrocandombe, Fito Páez, Alejandro Lerner, Litto Nebbia, Coti Sorokin, Cacho Castaño Sergio Denis, Gerardo Nieto, Gonzalo Yanez, Ricardo Lew, Tangoloco, Privé, Baby Style) Almond
( Rock You agree )

Pokemon Fire Red Cheats Shiny

Other: RUBEN RADA

RICHIE SILVER
Richie Under the skin lies Silver The Black Ruben Rada, which goes to show once again his great gifts as an interpreter. Under the old pseudonym he used in the sixties, dresses up to launch an extensive tour in which the instruments to mimic recreate the music of that era. They are beautiful melodies with lyrics that reflect the times. The result is an album with international sound, uncommon for these latitudes. Frenetic rock and roll ( life is a ticking , street rock, lyrical woman, what do I care , rock and roll with hair gel ... ), the tempo soul that Daniel Garcia gives the ballad love me behind the glass disk, including rock Physical -; black-before-recorded with Totem and flowers in the night. Special mention loving the classic , Jaime Roos, dixieland arranged by Don Hugo Fattoruso. The songs
-world sound with bandoneon Mainetti, and Carlos Santana candombe for either Latin, Rada currently jumps and turns away from the central theme of the work. Among the leading figures
can mention Andrés Ciro Martínez de Los Piojos ( rock and roll with pomade ), Ricardo Mollo Divided ( do I care) and a true artist selected integrating horn section.
Finally, Richie Silver closes the album with two bonus tracks by The Hot Blowers, Rada integrated group that back in 1958.


EDITION 2006

Emi Odeon MUSICIANS
Ruben Rada: Peruvian cajon, percussion Andrew
Arnicho: musical director, piano, keyboards
Federico Navarro Federico Righi
guitars: low
Cedrez Nelson: drums
Lea Bensasson, Lucila Rada: vocals Juan Cruz de Urquiza
: trumpet, flugel, trombone
Victor Skorupski: alto, tenor and baritone, clarinet
Andrea Viera alto Benjamin
Barreiro: soprano sax
Juan Canosa, Morón Martin: trombone
Gerardo Vasquez: percussion Fernando Lobo
Núñez: Jib piano drum
Jorge Gomez: drum boy Noah
Núñez:
peal drum Guests: Ricardo Mollo, Andrés Ciro Martínez (Lice), Gustavo Montemurro, Martin Ibarburu, Miyo Miglioranza, Pablo Mainetti

SONGS
flowers in the night (R. Rada)
love me behind the glass (R. Rada)
life is a ticking (R. Rada)
loving (J. Roos)
street rock (R. Rada)
black (R. Rada) global sound
(R. Rada)
'm trying (R. Rada)
woman lyric (R. Rada)
mother Carmen (R. Rada)
do I care (R. Rada)
rock and roll with pomade (R. Rada)
candombe for Carlos Santana (R. Rada)
Angelica - bonus track "The Hot Blowers
thousand affections - bonus track" The Hot Blowers

Rock and roll with hair gel
The World Seen
back
begins by Argentina and then Uruguay is
standing on the corner. Uruguay

problems are felt in Argentina, the same goes

backward with these neighboring lands.
If you come from rock and roll radio

contaminated and you you have to bancar
decide what fashion.
So are our countries,
conservative gray

mired in pain do not learn to be happy.
debt is my god,
my heritage and my life and will fulfill

a child sang in the corner.
god, not because I want to go
bitter life, I took a mate
of two
which is the best medicine ... Ta! We all want to sing

what the mind decides:
tango milonga, candombe
and rock and roll with gel. I just want to play

what prompted my heart because I have youth

of divine music.
... Other versions

loving (Jaime Roos, Ruben Blades, Adriana Varela, La Otra Vocal Quartet; Dani Umpi)
black (Totem, Group Ringing, Jorge Schellemberg)

Yeast Infection Caused By Getting Fingered

Classics: JAIME ROOS

REPERTOIRE
This compilation has been converted over time into a classic of classics, with songs full of energy monumental. Jaime
enters the best candombes with Peach and Convention -Perfect low-, perhaps Hugo Cheché -great-and key-Fattoruso when playing Uruguay absolutely Uruguayan body and soul. Roos
also explores sounds similar to his influences. Pop - the man in the street or coal and salt Estela Magnone, "approaches the bolero with your labyrinth -in involving the Argentine pianist Osvaldo Calo-e inexplicable, a duet with Laura Canoura.
murgueros But are the songs that have defined this more personal style of James, with traditional dishes drummers and choirs and the ever present platform, represented here by the Missing and Other murga: Colombina , Olympians, future murguistas ... all transformed into success. The hint of nostalgia in Jaime's voice reaches its peak in youth goodbye , played by Roberto García and Pierrot toast with Canario Luna in the lead vocal.

DG EDITION
Records / BMG 1994

MUSICIANS
Jaime Roos: vocals, guitars, electric guitars, bass, tololoche, cymbals, drums, digital drum programming, whistle, vocals Jorge Galemire
Gustavo Ripa, Carlos Vicente, guitars
Carlos da Silveira guitars, electric guitars Hugo
Fattoruso: keys, accordion, vocals Alberto Magnone
: piano, keys, keys and vibraphone bandoneon, vocals Andrew
Recagno: bass, vocals Gustavo
Etchenique: drums, percussion, palmas
Jorge Trasante: drums , snare drum, bass drum, cymbals Boca
Carlos Ferreira: drums, drum boy, congas, percussion Ronald
Arismendi: Freddy Bessio
drummer, Jorge Garrido, Gonzalo Moreira: hype
Edu Lombardo, Hugo Cardozo:
dishes Martin Barroso, Fernando Silva Huron : peal drum
Núñez Fernando Lobo: drums piano
Manuel Silva, Edinson Oviedo (ringing): drum boy
Paul Stocker: saxophones altos and sopranos
Jorge Castillo, Raúl Saavedra
alto saxophones, trombones
Contenti Gaston: trumpet, flugelhorn, percussion, vocals
Estela Magnone: flute, piano, keys, keys cello and viola, chorus
Luis Restuccia: vocals, handclaps, percussion
Negreyra Wilson: vocals, percussion
Bernardo Aguerre, Gonzalo Moreira, Rolando Fleitas, Diego Ebbeler, Daniel Magnone, Benjamin Medina, Popo Romano, Pablo Routin, Jorge Calleros, Raúl Castro, Roberto García, Eduardo Rimoldi, Daniel Capuano, Roberto Darvin, Juan da Silva, Jorge Graf, Urbano, Gonzalo Moreira, Mayra, Hugo and Mariana Ingold: choirs
Guests: Jorge Vallejo, Group Ringing, Raul Mayora, Adele, Osvaldo Calo, Paul Faragó, Jorge Nasser, Walter Nego Haedo, Jorge Lazaroff, Andres Bedo, Failure and Other (soloists: Jorge Todeschini, Canario Luna, Roberto García), Ricardo Yates, Guilherme de Alencar Pinto, Enrique Maturro

SONGS
Peach Convention (J. Roos)
no one said anything (J. Roos)
loving (J. Roos)
letter Remaining Post (J. Roos)
Colombina (J. Roos)
perhaps Cheché (J. Roos)
Olympians (J. Roos)
the man in the street (J. Roos)
your labyrinth (J. Roos)
seems (J. Roos)
the murguistas future (J. Roos)
toast Pierrot (J. Roos)
kite lamp (J. Roos) bonus track
rabbit's sister (Roos-Castro) bonus track
coal and salt (Roos-Magnone) bonus track
inexplicable (J. Roos) bonus track
stadium lights (Roos-Castro) bonus track when it plays Uruguay
(Roos-Castro) bonus goodbye youth track
(J. Roos) bonus track


Convention Peach Street Peach
born outdoors,
gray curtain, palm
the wind, the waves open
brown

white girl from the beach
dying in the gas. Peach Street

die without knowing when illuminated


lilac all in the middle of December
slower when
-bound nap
of jacaranda.
Life, life as usual
hard, as always
dark night in the street convention
;
the same, the same footwork
absorbed, Yiros
the short ride in the street convention
;
life, life tugging
copper,
the poor Jewish shop in the street convention
;
jugs, jars of the crest
loose, his knees well

filthy Convention on the street. Peach Street

through two quarters of flat
figure
of bitter sweetness: South
are
-rivals Palermo brothers peach

road crossing the sea.
Candombe,
Candombe, Murga and batucada
walking along the street down
Convention;
tap, tap ...
"Action, The Silver diarioooo"
package under the long arm down the street
Convention;
lenses, lenses
watchmakers,
the eyes of the street
bagayeros Convention;
and one day, one day you'll see
happy
the day you take Peach
wind and Convention;
candombe
Candombe, Murga and batucada
walking along the street down
Convention;
dogs, the dogs

bichicomes
asleep in the corners of the street Convention;
tiles, tiles
games for years,
memories that hurt me in the street convention
;
and one day, a
I'll see you happy days,
the day you embrace the wind
Peach and Convention ...
...
Other versions
loving (Ruben Rada, Rubén Blades, Adriana Varela, La Otra Vocal Quartet; Dani Umpi)
Colombina (Hugo Fattoruso-Adele)

Temperature Grow Saffron

Meetings / Live: Ruben Rada - Javier Malosetti

WARSAW
These two discs, taken from the concert at The Hidden Club in April 2007, arising from Javier Rada Malosetti still regarded as one of their musical heroes of life " Reuben is grateful "for having saved so long love of music." Hence in each explanation of the origin of the subjects Rada return to the mood of your golden years: "I am a black man who describes himself as marron glacé."
Perhaps the sound is not the one who waits and the song list has ups and downs. For example, there figure that I will not buy , selected for the showcasing of the band for its odd rhythm in 7x4. They are also legendary sadness (the myth Eduardo Mateo), Georgia on my mind, one that most enjoy Rada and fragments of various known compositions. There are songs representative of all stages of Reuben fingers (with totem) far you go (along with the brothers Fattoruso in Opa) and the great classics to the enclosure: terrible - I saw you yesterday - Blumana - Candombe para Gardel ... Also The Black premieres Armstrong, recognition of the famous jazz musician with a bass solo logradísimo and end in English. Those chosen by Javier are mostly geared towards the more heavy instrumental funk, the soul or the blues.

EDITION
Slipper Records / Music Day
licensed Sony & BMG Music Entertainment 2007
MUSICIANS

Ruben Rada: vocals, percussion Javier
Malosetti: bass, vocals
Hernán Jacinto: keyboards
Oscar Giunta: drums

SONGS
fingers (R. Rada)
Armstrong (R. Rada)
far you go (R. Rada-H. Fattoruso) rought
biker (J. Malosetti) Do not bug me
(Pérez Kizer)
Georgia on my mind (Gorrell, Carmichael)
why not buy me (R. Rada)
will not buy my (R. Rada)
Warsaw stomp (J. Malosetti)

sadness (E. Mateo)
to understand the Chinese black (R. Rada)
the Chinese black (R. Rada)
to cradle the Chinese black (R. Rada) saw you yesterday
(R. Rada)
I can not get lost (R. Rada)
terrible (R. Rada)
Candombe para Gardel (R. Rada)
Kevorkian (J. Malosetti)
Blumana (R. Rada)


Too bad you, can you, can see the sea,
you see the light, you can more ...
you can count the stars, save the most beautiful,
trace the clouds not ever see them.
You, you, you wander, you can give birth
or kill if you want, dress
queen, ruling the Earth
and choose the most beautiful man to love.
And if you want you can give life to the service
pure humanity
but never manage
even my friendship and that I know ... I have bad;
when you have around the world and in your hands and your body
jump of happiness
I will ruin the end because I do not have
and that I know ... will kill you.
... Other versions

fingers (Totem, Ruben Rada, Fernando Cabrera, Daniel Maza)
far you go (El Kinto)
sadness (Liliana Herrero, El Kinto, Fattoruso Trio, Jaime Roos, Adele; Diane Denoir)
I saw you yesterday (Rada-Nebbia, Adriana Varela Cuareim Group)
terrible (Opa, La Banda;
Candombe para Gardel (Lagrima Rios)
Blumana (Rada-King Africa)

Is My Nose Considered Wierd

Missing links: RUBEN RADA

FAMILY

The unquestionable success of the song Blumana coincided with the festive atmosphere of welcome and was the great democratic leap from Ruben Rada cult artist rather than mass-market music Argentina. Those years were so good that the issue Ruben also earned him a place in the festival Barock, in November 1982, alongside the great players of the Argentine rock then.
For the occasion, Rada was known jazz musicians surround the front line. The work draws on the best interventions to be reminded record to Ricardo Lew solos on the bus inspiradísimos -a Rada blues in which he talks about his friends Uruguayan-(guitar) and Martu (acoustic guitar). Although to a lesser extent, Ricardo Nolé makes theirs on keyboards. For the final closing instrumental spatter.
As a result ... candombe disc with pin arrangements of jazz-horn section. The compact can only be achieved by importing from the United States.

EDITION
MH / Orfeon Videovox 1982

MUSICIANS
Ruben Rada: vocals, congas, trumpet
Ricardo Nolé: piano, synthesizer, Ricardo Lew
chorus: guitar
Hector Pineda under Osvaldo
Fattoruso: drums, percussion, voice
Fernando Rodriguez, Carlos Da Silva: drums
Urbano Moraes, Maria Fernanda Rada, Juan Carlos Ledesma: choirs
Fats Fernández, Andrés Boiarsky, Hugo Pier, Jaime Prats, Benny Izaguirre: horn section


Blumana SONGS (R. Rada)
the bus (R. Rada)
candombe (R. Rada)
Martu (R. Rada)
good is bad, bad is good (R. Rada)
I'm going to 'the city (R. Rada)
Lucila II (R. Rada)
candombe the canoe (R. Rada)
spatter (R. Rada)

Blumana Always
concerts
rare things happen, I have much fear

comes the bad.
Tocá, che, Black Rada,
tocá the fans scream, quiet play and sing

that nothing happens here.

came with my girlfriend-was-
recopa hear the concert
lost it at the entrance.
Tocá, che, Black Rada,
tocá the fans scream, quiet play and sing

that nothing happens here. He ended the concert

-two o'clock-
I get into my micro
and embrace the poor.
Tocá, che, Black Rada ...
...
Other versions

Blumana (Rada-King Africa)

Dual Sub Box 87-93 Mustang

Meetings / Live: RUBEN RADA - EDUARDO MATEO

BOTIJA THE COUNTRY
The meeting of these two giants results in a strange album, far more African and Beatlesque onomatopoeic, close to experimental music. This means that the pop side of the performers was left aside, at least this once. Rada and Matthew we propose fuzzy melodies, short texts and are complementing well their voices with the sounds of the conga. Impeccable
- anthology pot of my country, on the most natural that he has known, with the deep influence of Matthew in the acoustic-picking included, and The Black on drums ... ever, fox fur with the indomitable guitar starring Ricardo Lew and call, perhaps the purest candombe.


Sondor EDITION 1998

MUSICIANS
Ruben Rada: vocals, percussion
Eduardo Mateo: vocals, guitar, acoustic guitar, percussion Ricardo
Nolé: piano, keyboards, Korg
Ricardo Lew Urbano Moraes
guitar, vocals, bass
Fattoruso Osvaldo, Roberto Galetti: drums Fernando Lobo
Núñez Silva: child

SONGS
pot of my country (R. Rada)
to make the conga (E. Mateo)
stick bembé (E. Mateo)
looking (E. Mateo)
onion (R. Rada)
fox fur (R. Rada)
called (R. Rada)
thrush (E. Mateo)
"pizza" for the morning (E. Mateo)

Botija
my country my country Botija

hope you're happy wearing a
love your brothers laugh

botija give you the time you live tomorrow is a nice
past. Botija

my country if one day you let yourself get drunk
receive
by drums;

just let yourself go and never forget what your life will always

a conga. Botija

my country if you want to live free

not stop talking to your siblings;
if you want to suppress
Get together with five thousand
and rattle
hands together. Botija

my country if you want to live free ...
... Other versions

pot of my country (Opa; Rada-King Africa; Serenata Africana)
stick bembé (Matthew x 6)

How To Surgically Remove Tumor

Essential: EDUARDO MATEO

MATTHEW GOOD IS JUST LAME

is well known that this recording comes to our ears and our hearts through the work of Carlos Píriz recording technician, who preserved the tapes transforming the original's debut solo album Eduardo Mateo. Any alteration or addition could realizársele these acoustic demos would be absolutely unnecessary. Matthew compositional originality, simple and strange at once, his gift of unparalleled performer, vocal arrangements and humorous, and emphasize how the guitar like a conga more ... shape their musical authority. Candombe, bossa nova, Beatles ... everything seems to align to brighten this beautiful plot of light and shadow. The memorable candombes: yulelé , uh, what baton, old breast, of my people are in force today, more than yesterday, even after missing Matthew and myth have become fashionable for some and for others.

EDITION
Plant / Trova 1972


SPECIAL EDITION Disc Club
licensed Sondor 2006

MUSICIANS
Eduardo Mateo: vocals, guitars, percussion
Guests: Horacio Molina, Songs Fifth


yulelé SONGS (E. Mateo) who I saw
(E. Mateo)
uh, what macana (E. Mateo)
of us (E. Mateo)
girl (E. Mateo)
behind you (E. Mateo)
why ? (E. Mateo)
Jacinta (E. Mateo)
old breast (E. Mateo)
Lalá (E. Mateo)
the Chola (E. Mateo)
stuff (E. Mateo)
of my people (E. Mateo)

The
old mama's mom always sends old,
sometimes sweat when dancing,

weigh him in the call rate.
The mother knows and speaks
all stop to listen, work hard ...
Like sung. The convent is now

with Candomble and mother
everyone moves to the beat
with mom ...
's mother one day open the door, walked
skinny and grandmother,
the grandmother dies and she becomes.
old's mother sometimes cries,
seems to feel alone, looking
Children in the rounds.
... Other versions

yulelé (Mateo-Cabrera, La Barraca, Susana Bosch) who I saw
(Litto Nebbia, Jorge Nasser, Diane Denoir)
uh ... what mace (Flavio Cianciarulo, Leo Masliah, Group Ringing, Soul and Life; Susana Bosch) of us (Nasser-Rada, Jorge Schellemberg)
behind you (Nasser-Roos, Diane Denoir, Matthew x 6 )
Jacinta (Diane Denoir; Susana Bosch, Matthew x 6)
breast old (Mateo-Cabrera, Fernando Cabrera, Urbano Moraes, Nicholas Arnicho, Group Ringing, The Other Vocal Quartet, Susana Bosch)
Lalá (Susana Bosch, Matthew x 6)
of my people (Susana Bosch)

How Tight Should A Thong Be

Concerts: Trio Fattoruso

LIVE IN HALF AND HALF

How many family homes to meet some fun playing music and get this sound? What an incredible family of artists of these Uruguayans! Founders of The Shakers back in the sixties, were touring the world and gave its way to merge jazz. Here are a musical trio with influences of Weather Report and Chick Corea Korean-, insurance-with so very solid base that allows its keyboards Hugo navigate with complete ease-cool-crazy ( cansong and great solos in as equals and Ferrari). Most skill Osvaldo-straight as a wall, and Francisco real delight in and ten thousands more as equals , played all Marcus Miller. As always also left a space to Candomble, Candomble subtle but at the end (Rowayton ) and the bossa or samba samba-at times-( or sambinha ).
The album was recorded live at the jazz club of Middle East and Punta Ballena, Uruguay on 1 and 2 January 2005 and mixed and mastered in Virginia Beach, USA.

EDITION
Records 2005 Light Years


MUSICIANS Hugo Fattoruso: Osvaldo Fattoruso
keyboards, drums
Francisco Fattoruso: low


cansong SONGS (H. Fattoruso)
Rowayton (F. Fattoruso)
Supernova (Ch. Fattoruso)
seven (H. Fattoruso)
thousands more have (F. Fattoruso)
as equals (F. Fattoruso)
or sambinha (H. Fattoruso)
Ferrari (F. Fattoruso)
crazy (F. Fattoruso)
CAN 2 (H. Fattoruso)

Other versions
thousands more have (Hugo Fattoruso and Rey Tambor)
or sambinha (Hugo Fattoruso)

Dark Spot Next To My Industrial Bar Pierce

Other: HUGO Fattoruso and Essential

EMOTIONAL
Once open the record and written words Fernando Lobo recited by Núñez, giving way to sunrise , song that conveys the full force of its author, a pioneer Rubén Rada. And Fattoruso continues to explore: where? ... an excellent track performed in English but with an air of milonga and two candombes rapper authorship ... saints - drums ... arranged wind everywhere. The next house, a beautiful melody of another large-Fernando Cabrera-transformed here into a part-time candombe. The instrumental ten thousand more, his son Francis, another great musician in the family, also recorded live in the Middle East and the Trio Osvaldo Fattoruso-supplementing. For closure, the historic reserve Fattoruso black print Peter Ferreira.

EDITION
Records 2007 Light Years

MUSICIANS
Hugo Fattoruso: piano, voice
Diego Paredes: drum piano
Fernandito Núñez: Drum guy Nicolas Peluffo
: Osvaldo Fattoruso
peal drum: drum boy, drum piano, percussion

SONGS
sunrise (R. Rada)
where? (H. Fattoruso)
drums (H. Fattoruso)
saints (H. Fattoruso)
have more thousands (F. Fattoruso)
the house next door (F. Cabrera)
walking (H. Fattoruso)
emotional (H. Fattoruso) - black print (P. Ferreira)

Other versions
sunrise (Ruben Rada)
have more thousands (Trio Fattoruso)
the house next door (Fernando Cabrera, Liliana Herrero, Juan Carlos Baglietto)
classic Uruguayan Candombe

Coach Handbags M3u-729

DRUM KING : DRUM KING HUGO

Blueprint For A Salon

Fattoruso and Meetings: ANDRES CALAMARO - Litto Nebbia

PALACE FLOWER
Who could assume just a few years ago Litto Nebbia could produce, not even touching a record-signed by Andres Calamaro. But everything is possible within the so-called Argentine rock scene. And it was. Litto recognizable footprint in the tango passages, some arrangements and of course, in his voice and his compositions. But it is a tribute but an appreciation Calamaro, son of pop created by Nebbia in the sixties and present here in songs like heart sale or the ding of the heart . Beautiful and diverse, my flag displayed -flavored anthem, and other landmarks: I have an orchid and string orchestra, the ingenious flippers and especially when a voice is all - with the presence of Vicentico-and part-time best version of Rosemary . Nebbia-
The meeting will deepen live Calamaro new samba share for my country - just about live - I do not let . In turn, Andrew versioning raft and rock of the lost woman - of Los Gatos and Litto-I pay tribute to sweet sentence, part of the album wanted Calamaro!


EDITION 2006 Warner Music

MUSICIANS Andrés Calamaro
singing, piano, acoustic piano, one accordion, synthesizer solo, keyboards, percussion, vocals
Litto Nebbia: vocals, guitars, piano, electric piano, synthesizers, keyboards, melodica, percussion, vocals Ariel Minimal
guitars , percussion, vocals Federico
Boaglio: electric bass, percussion, vocals Daniel Colombres
: drums, percussion
Pablo Agri, Pablo Bosani, Myrian Gandarillas: violins
Benjamin Bru, Victoria Tapia, Patricio Villarejo
violas, Roxana Maurino: Leopoldo
cellos Deza: flutes
Pedro Menéndez: soprano sax
Guests: Vicentico, Germain Condor Scarbatti, Daniel Smith, Ciro Fogliatta


heart SONGS sale (A. Calamaro)
my flag (A. Calamaro)
El Palacio de las Flores (A. Calamaro)
the heart ding (A. Calamaro)
you learned (A. Manzanero)
the composer does not stop (L. Nebbia)
I have an orchid (A. Calamaro-L. Nebbia)
fins (A. Calamaro)
Argentine point (A. Calamaro)
when a voice is all (L. Nebbia)
before (L. Nebbia)
hurricane cut (A. Calamaro)
Miami (A. Calamaro-L. Nebbia)
Rosemary (L. Nebbia)
never forget what ( L. Nebbia)
bet (A. Calamaro-L. Nebbia)
be happy (L. Nebbia-A. Calamaro)

El Palacio de las Flores
In the Palace of Flowers
were flowers of all colors.
remained in long-
Basavilbaso not step out there, "
near the garage, near the station

Retirement and
Florida Street and Plaza San Martín. What
Florida is the Palacio de las Flores
I saw it from outside ...
because by then I was a fool
living with my parents.
So joy is not something new all the time
past was worse. Much
matute of cap in the street,
much "no sir" - "yes, sir"
-home television
we had and had not written a song.
not interest me the ball, going to San Telmo
to buy old things-and broken-
but the father of a classmate
took us to see the Independent.
Pastoriza was the time, Santoro and Goat Pavoni
and my old friend who lived in the city of La Paz
was gone and I saw him no more.
hope they are alive and well in the country
follow me ...
"follow me ... I will not disappoint",
where? ... shit where a count, where bosses
the crucified
-first-look at it to number ten
but not enough to open our eyes
to realize all at once.
Beware of words that end with ina ...
I too much to Argentina

but nobody asked me if I wanted to birth
Argentina, where they do not eat the food left.
La Turra that never ends ...
"ina" guillotine, amphetamine and tar. How
give us, how we are in Argentina,
give us
Boquita and tropical rhythm and base for the tin can in the suburbs and on Capital.
I am rocker, paddock, ricotero, River Plate
is tight rope of hunger ...
not stiff enough even for
-to conform to the odors.
As in the Palacio de las Flores
where they danced until they burst.
of something you have to live,
with anything there to enjoy.
As in the Palacio de las Flores ...
... Other versions

Rosemary (Litto Nebbia)
Classic bolero international

Porcelain Tile Trowel Size

Classics: ANDRES CALAMARO

HIGH DIRT
Led by the excellent arrangements of this will emerge a number of greatest hits that led to his definitive consecration Andrés ... the high dirt polenta -opening self-titled album, " crazy, skinny , burns me ... rhythm and the ever present even more partying: is ruled sailor, Elvis is alive -to Palito Ortega, third of the dreams and never the same. Enter also the classics that will be forever in the hearts of audiences: Veronica half and perfect crimes, one of the best ballads he has given the Argentine rock. Calamaro closes the album with a cover of Catalina Bay, written by Peter and Paul in the early seventies.


EDITION 1997 Warner Music

MUSICIANS
Andrés Calamaro: vocals, piano, electric piano, organ, pump organ, clavinet, mellotron, coral sitar, glockenspiel, synthesizer, cheap synth, mr T man, RMI kc, handclapper, guitars, bass, drum sets, percussion, vocals
Hugh McCracken: guitar acoustic, electric, Dobro, coral sitar
Marc Ribot, Eddie Martinez: guitar
Charley Drayton: bass, guitar (trench)
Chuck Rainey: bass
Steve Jordan: drums
Joe Galdo: drum sets
Crusher Bennett: percussion
Crispin Cloe: saxes
Ken Fradley: trumpet, Jesse Levy
Flugherhorn: cello
Celeste Carballo: choirs
Guests: Antonio Escohotado

SONGS
high dirt (A. Calamaro)
everything else (A. Calamaro)
is ruled sailor (A. Calamaro)
crazy (A. Calamaro)
skinny (A. Calamaro)
Who cook the butter? (A. Calamaro)
half Veronica (A. Calamaro)
third of the dreams (A. Calamaro)
china food (A. Calamaro) Elvis is alive
(A. Calamaro)
burns me (A. Calamaro)
perfect crimes (A. Calamaro) is never equal
(A. Calamaro-Escohotado-Jordan-Drayton)
oblivion groom (A. Calamaro)
Catalina Bay (Marianne M.-J. Durietz) bonus track

High dirt
afraid champion, has
afraid of hitting,
not want to break their hands because they have to sing

the rate of mouthguard,
the hype of the city
hits you in the ass
-hits and nothing else. High
dirt, garbage
high dirt
can not trust anyone else;
high dirt, garbage
high dirt
can not trust anyone else. Babe

hurry to learn to bark:
if its just a pig
nobody respects;
is a very bad boy
and behaved very badly

but I forgive because we are the lowest
high dirt
High dirt away,
can not trust anyone more, high
dirt, garbage
high dirt
can not trust anyone else.
banker Lord give me back the money,
for now is all I want, I'm tired of
coming
and friends just want to fill the hole;
I will not now nor the hour,
cool, baby, "she says my attorney-
for now nothing has happened. High
dirt, garbage
high dirt ...
...
Other versions
high dirt (A. Calamaro-Fito y Fitipaldis; Tree; Malos Aires) is ruled
sailor, burn me (Faithfull Marianne)
Skinny (A. Calamaro-Fito y Fitipaldis, Los Pericos)
half Veronica (Pedro Aznar, A. Malagana)
perfect crimes (Fito Paez)
Catalina Bay (Peter and Paul, Marianne M. -L. Gieco)

Mini Bicycle Generators

Taxes: VARIOUS ARTISTS

CALAMARO DEAR! Singing
1 and 2 salmon
The catchy melodies performed by Andrés recognized national and international artists. The course covers all ages, and that any Calamaro lyrics can be very well suited to interpret it very different artists, from Soledad to Los Autenticos Decadentes.
The double tribute album features the star presence of Vicentico, making not to forget the rhythm of Brazilian samba and anticipating the meeting of Los Fabulosos Cadillacs for a successful version of the front ; pace Tree high dirt and Julieta Venegas ( undocumented), the elegance of Aznar and Johansen more good performances Cantilo Fabi and Soledad. The strength of El Canto del Loco, on the other hand, the lightness of Laziness; thousand hours, very sloppy by The Tipitos and romantic look you by (Diego Torres), good luck (Ivan Noble) and I are catching again (Mancha de Rolando). The best: piano solo Fito Paez and his sublime perfect crimes; still a love song and of Sabina, León Gieco - find somewhere. Javier Calamaro discover hidden links between aircraft - Alfonsina y el mar and an end to all orchestra teacher by Nebbia, as a prelude to what would be his successful encounter with Andrew.

EDITION
Sony & Bmg Music Entertainment 2006

MUSICIANS
Vicentico, Dani Martín, Faithfull Marianne, Paul Romero, Bahia, Diego Torres, Ivan Noble, Joaquín Sabina, León Gieco, Mr . Mojo, Niña Pastori, Soledad, Jorge Anibal Serrano, Gustavo Daniel Parisi, Martin Lorenzo Mosca, Javier Calamaro, voices, choirs
Pedro Aznar: vocals, bass, twelve string guitar, electric guitar, accordion, piano
Litto Nebbia, Alejo Gandini: vocals, arrangements, all instruments
Fito Páez: vocals, piano Walter Piancioli
voice, piano, Hammond
Kevin Johansen, Manuel Stay: vocals, guitars
Julieta Venegas: vocals, acoustic guitar, accordion, programming, vocals
Chaboli: flamenco guitar, acoustic, percussion, programming, palms
Cachorro Lopez: bass, guitar, baritone guitar , Flavio Cianciarulo
keyboards, Federico Bugallo: bass, guitars
Alfonso Pérez: piano, keyboards, acoustic guitar Raul
Rufino, Juanchi Baleirón: vocals, guitars
Eduardo Schmidt: vocals, violin
Muchachito: vocals, guitar, bass, banjo
Lewis: vocals, bass, drums, guitars
Rolfi Calahorrano: Rhodes piano, Hammond, sax Under
Matías Zapata: keyboards, programming, arrangements, vocals
Sebastián Schon: keyboards, programming
Antonio García de Diego: keyboards, electric guitars, vocals
Fabricio Rodriguez, harmonica, acoustic guitar, vocals
Diego White: keyboards, vocals Mario
Siperman, Ariel Funes, Leandro Bulacio: keyboards
Lito Vitale, Carlos Tito, Diego Schissi, Pablo Pastori, Leandro Chiappe: piano
Hernán Bruckner: guitar, piano
David Otero, Willie Valentinis, Alexis Green, Hernán Diego Demarco: guitars, vocals Akselrad
Pablo, Luis Cardoso, José Romero, Marcelo Muir, Daniel Berardi, Francisco Barreiro Gustavo Eduardo Montecchia guitars Sebastian
Massolo, Rubén Pozo: electric guitars Marcelo
Predacino: Bonzo
Morelli nylon guitar, Dobro guitar
Chema Ruiz: bass, vocals
Marcelo Capasso, Sebastian Bianchini, Matías Méndez, Gustavo Pulga Luciani, Pretty Paco, Gaston Goncalves, Marcelo Gallardo, Martin Leiton, Carlos Baez, Pablo Ezequiel Armesto: low
Fernando Mantar, Lere, Mariano Otero, Pablo Araujo Pablo Santos
bass, acoustic bass, programming, vocals
Miguel Bertero, Paul Borza, Brigitta Danko Alejandro Elijovich, Pablo Sangiorgio, Martin Fava: violins
Williman Washington, Grace Rapp: violates
Jorge Pérez Tedesco, Diego Sanchez, Beata Soderberg: cellos
Carlos Villavicencio, address and string arrangement
Alejandro Velazquez, Pablo Tevez: drums, vocals
Fernando Ricciardi, Javier Miranda, Martin Miller, Hernán Martín, Enrique Roizner Ezequiel Ghilardi, Pepi Taveira, Pedro Barceló, Topo Raiman, Javier Allende, Daniel Castro, Jota Morelli, Cavalletti Sebastian, Cristian Judurcha: drums
Hector Bellino: box, charles, Gerardo Rotblat
dish, Luciano Giugno, Gustavo Martelli, Ramiro Musoto Facundo Guevara, Carlos Seminara: percussion
Marcelo Blanco, Daniel Buira, Mariano Franceschelli: drums, percussion, vocals Martin Toucan
Bosa: programming
Daniel Lozano, José Cyclone García, Alberto Pérez Jordana, Miguel Angel Tallarita, Guillermo Eijo: Fabian
Veglio trumpets, trumpet, trombone
Oscar Bass, Daniel Eduardo Zimbello: trombone
Sergio Rotman, Paul Fortuna, Horacio Avendaño, Pablo Rodríguez, Martín García
sax, alto sax
David El Niño
tenor Manuel Machado: fluguelhorn
Cay Gutiérrez, Juan José Castelli: accordion
Bernarduou Gaston, Eduardo Trípodi: special effects
Daniel Drexler, Luciana Palacios, Pancho Varona, Juan Pablo Di Saverio, Marta Velazquez, Osvaldo Palau: Pepito
choirs Mezclero: cry

SONGS
the front (A. Calamaro) Los Fabulosos Cadillacs
many words, less ( A. Calamaro) El Canto del Loco
freedom (A. Calamaro-G. Herrera) Faithfull Marianne
high dirt (A. Calamaro) Tree
perfect crimes (A. Calamaro) Fito Páez
to eyes (A. Calamaro-A. Rot) Bahiano
love you like (A. Calamaro-C. Ponieman) Kevin Johansen
undocumented (A. Calamaro) Bombo Infierno Muchachito
by looking at you (A. Calamaro-G. Herrera) Diego Torres
my illness (A. Calamaro) Pereza
thousand hours (A. Calamaro) The lucky
Tipitos ( A. Calamaro) Iván Noble

undocumented (A. Calamaro) Julieta Venegas
still a love song (A. Calamaro-J. Sabina) Joaquín Sabina
skinny (A. Calamaro) Los Pericos
find somewhere (A. Calamaro) León Gieco
not ask me who is not an unconscious (A. Calamaro-M. Scornik)
Niña Pastori not to forget (A. Calamaro)
Vicentico health, money and love (A. Calamaro) Soledad
're catching me again (J. Infante-A. Rot) Mancha de Rolando
unmarked cards (A. Calamaro-A. Rot) Los Autenticos Decadentes
half Veronica (A. Calamaro) Pedro Aznar
planes (A. Calamaro) - Alfonsina y el mar (Ramirez-Luna) Javier Calamaro
crazy you (S. Makaroff) Tabaquite Moroccan sweet sentence
(A. Calamaro-A. Rot) Litto Nebbia

perfect Crimes
Did you feel any
time it is to have
broken heart? Did you feel

matters pending
back until I go crazy?
If it turns out, if you understand

what happens to me tonight
:
she will not back off
and begins to grow
me in, the currency fell

on the side of solitude
and pain ... Everything
ends,
ends badly,
little by little and if it ends

taints more
and that is covered with dust.

I think I saw the fifth World
'78, I had to grow up watching


around me paranoia and pain, the currency fell

on the side of solitude
again ...

not hurt me with your perfect crimes

indifferent as people realize;
from time to time,
only,
goes out the hard way.
If it turns out,
if you understand ...
... Other versions

high dirt (A. Calamaro-Fito y Fitipaldis, Malos Aires)
undocumented (False Prophets - Manuel Moretti)
thousand hours (Loose wires)
skinny (A. Calamaro-Fito y Fitipaldis)
half Veronica (A. Malagana)